On the Hill-side

By Radcliffe Hall:

A Memory

You lay so still in the sunshine,
So still in that hot sweet hour—
That the timid things of the forest land
Came close; a butterfly lit on your hand,
Mistaking it for a flower.

You scarcely breathed in your slumber,
So dreamless it was, so deep—
While the warm air stirred in my veins like wine,
The air that had blown through a jasmine vine,
But you slept—and I let you sleep.

It quite possibly was a gate-keeper butterfly that landed on the hand of the poet’s companion, a creature of the forest edge, as the name suggests. A sung version of this played on the radio this morning: ‘You lay so still in the sunshine’ by Samuel Coleridge-Taylor.

25 January: Winter’s charms.

Willow wands growing through the snow. Calm after the storm.

Epistle to William Simpson Of Ochiltree

Ev'n winter bleak has charms to me, 
When winds rave thro' the naked tree; 
Or frosts on hills of Ochiltree 
Are hoary gray; 
Or blinding drifts wild-furious flee, 
Dark'ning the day! 

O Nature! a' thy shews an' forms 
To feeling, pensive hearts hae charms! 
Whether the summer kindly warms, 
Wi' life an' light; 
Or winter howls, in gusty storms, 
The lang, dark night! 
The Muse, nae poet ever fand her, 
Till by himsel he learn'd to wander, 
Adown some trottin burn's meander, 
An' no think lang: 
O, sweet to stray, an' pensive ponder 
A heart-felt sang.  

Three wintry verses from Burns to mark his day. The Sots dialect is not too difficult here, but just a couple of translations from our third verse. Fand: found. Burn: brook; it crops up in English place-names, Saltburn, Blackburn,  etc..

Willow for shelter in summer.

These lines are part of a song in the Compleat Angler of Izaac Walton, written by John Chalkhill, his relative by marriage. Chalkhill was a friend of the poet Edmund Spenser.

Snow on the ground in the photograph, but one day in Spring I chose this piece for a Summer’s day, trusting that there might be ‘excessive heat’ coming the reader’s way. I was editing it soon after cutting down osiers; the previous year’s growth of coppiced willow, as seen above. Often they are grown within a slow-moving river. Then again, I find myself walking under willows almost every day beside the River Stour. I often had occasion to shelter under willows during my time as a very incompleat angler in Ireland. I did catch a very respectable pike once and good eating it was too!

Wintry willows beside the River Tame

If the sun's excessive heat 
Make our bodies swelter, 
To an osier hedge we get 
For a friendly shelter! 
Where in a dike, 
Perch or pike, 
Roach or dace, 
We do chase, 
Bleak or gudgeon, 
 Without grudging, 
We are still contented. 
Or we sometimes pass an hour 
Under a green willow, 
That defends us from a shower,  
Making earth our pillow 
Where we may 
Think and pray, 
Before death 
Stops our breath: 
Other joys  
Are but toys,                      
And to be lamented.

Fleecy tenants

fleecy tenants

… The sheepfold here
  Pours out its fleecy tenants o’er the glebe.
  At first, progressive as a stream they seek
  The middle field: but, scatter’d by degrees,
  Each to his choice, soon whiten all the land.
  

(from William Cowper’s The Task

When Cowper wrote this in the 18th Century he was living in Bedfordshire, almost as flat as the Sussex salt marshes, where the picture was taken. And he would have seen the occasional stage coach pass by, not hourly trains, as seen in the background here.

A delightful word picture, an illumination like those little sketches in mediaeval manuscripts.

A PASTORAL

Let’s have a little poem to celebrate the great outdoors. Sadly, the number of thrushes seem to be declining fast in Kent, though I came across a thrush’s anvil yesterday; there was one in our garden, many years ago. If you never saw it, you won’t know you’ve lost it. A thrush’s anvil is the stone s/he uses to bash snails against until the flesh can be extracted. This one was on gravel, so the shells hardly showed against the pebbles, of a similar shape, size and colour to the shells, so I brought two smashed shells home. I hope the thrushes’ chicks prosper and restore their fortunes in Kent.

The poem was probably written in Florence, where Walter Savage Landor had gone after quarrelling with most of his friends and enemies in England. Robert Browning took him under his wing.

Damon was sitting in the grove
With Phyllis, and protesting love;
And she was listening; but no word
Of all he loudly swore she heard.
How! was she deaf then? no, not she,
Phyllis was quite the contrary.
Tapping his elbow, she said, ‘Hush!
O what a darling of a thrush!
I think he never sang so well
As now, below us, in the dell.’

Imaginary Conversations and Poems, A Selection, by Walter Savage Landor via Kindle

I’m reminded of George’s primary school teacher, who complained that at the end of a difficult lesson when she had been introducing a new maths topic, she saw him looking out of the window. ‘There’s a female blackbird on the grass, Miss.’

When he got home, he said that he had stopped paying attention once he understood the maths, and got on with birdwatching.

5 April. DH Lawrence: THE ENKINDLED SPRING

THIS spring as it comes bursts up in bonfires green,
Wild puffing of emerald trees, and flame-filled bushes,
Thorn-blossom lifting in wreaths of smoke between
Where the wood fumes up and the watery, flickering  rushes.
 I am amazed at this spring, this conflagration
Of green fires lit on the soil of the earth, this blaze
Of growing, and sparks that puff in wild gyration,
Faces of people streaming across my gaze.
 And I, what fountain of fire am I among
This leaping combustion of spring? My spirit is tossed
About like a shadow buffeted in the throng
Of flames, a shadow that’s gone astray, and is lost.

from Amores Poems by D. H. Lawrence

It’s good to be amazed by Spring but I guess many of us will feel lost and bruised from being tossed about over the last year and more of living with the virus. We’ll take a walk today, Easter Monday, to warm ourselves at the green fires of Spring, like this bank of wild garlic.

SPRING QUIET by Christina Rossetti

Mile End Cemetery

Christina Rossetti lived mostly in London, when this cemetery was still in active use; it is about 5km from the centre of town. Nowadays the thorn bushes are white, the birds sing, the sun shines shadily, and people can wander around, hearing the sea in the swaying branches. And there are tower blocks in Kentish seaside towns as well as central London suburbs!

Gone were but the Winter,
Come were but the Spring,
I would go to a covert
Where the birds sing;

 Where in the white-thorn
Singeth a thrush,
And a robin sings
In the holly-bush.

 Full of fresh scents
Are the budding boughs,
Arching high over
A cool green house:

 Full of sweet scents,
And whispering air
Which sayeth softly:
"We spread no snare;

 "Here dwell in safety,
Here dwell alone,
With a clear stream
And a mossy stone.

 "Here the sun shineth
Most shadily;
Here is heard an echo
Of the far sea,
Though far off it be."

Gilbert White’s reflection on the crocus

The crocus sativus, the vernal, and the autumnal crocus have such an affinity, that the best botanists only make them varieties of the same genus, of which there is only one species; not being able to discern any difference in the corolla, or in the internal structure. Yet the vernal crocus expands its flowers by the beginning of March at farthest, and often in very rigorous weather; and cannot be retarded but by some violence offered: — while the autumnal (the saffron) defies the influence of the spring and summer, and will not blow till most plants begin to fade and run to seed.

This circumstance is one of the wonders of the creation, little noticed, because a common occurrence: yet ought not to be overlooked on account of its being familiar, since it would be as difficult to be explained as the most stupendous phaenomenon in nature.

Say, what impels, amidst surrounding snow,
Congealed, the crocus’ flamy bud to grow?
Say, what retards, amidst the summer’s blaze,
Th’ autumnal bulb till pale, declining days ?
The GOD of SEASONS; whose pervading power
Controls the sun, or sheds the fleecy shower:
He bids each flower His quickening word obey;
Or to each lingering bloom enjoins delay.

 Letter XLII from The Natural History of Selborne by Gilbert White.

5 January: Star of wonder

Here’s a post from Sacred Space that discusses the star that led the three wise men to Bethlehem. Enlightening, even if it does not answer identify that Star!

Will.

https://www.vofoundation.org/blog/carols-versus-matthew-on-the-star-of-wonder/

A murky day in Manchester

It was a murky day in Manchester last winter when I met this column of men from the Great War. The sculpture is based on John Singer Sargent’s painting in the Imperial War Museum, ‘Gassed’. He had been to the front line, though he was in his eighties, and seen the men, British and American, suffering blindness after a mustard gas attack.

They are led by a medical orderly; there is a skill to leading such a group: observing the terrain, being alert for mud, ruts, obstacles, exaggerated dropping of the left or right shoulder to lead the men to turn. There are many ways to love your fellow man: the column of men support each other in what the sculptor, Johanna DomkeGuyot calls ‘Victory Over Blindness’.

Her sculpture, loves her fellow human beings: honouring the dead but challenging the living through portraying the gritty, grimy reality of unmedalled, unsought heroism. It is a bold but totally right decision to plant the men at ground level, not way over our heads, like the man on the Manchester cenotaph; an image that all but says, dulce et decorum est – how sweet and right it is to die for one’s country.

Let us not forget that the victims of war, soldiers or civilians, are men, women and children like us and ours; that cruel things have been done in our name as well as against us. Let us do all we can to bring about peace and reconciliation between nations and peoples, and within our own communities.

Lord grant us peace.

DULCE ET DECORUM EST

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots  
Of tired, outstripped Five-Nines that dropped behind.
Gas! Gas! Quick, boys! – An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling,
And flound’ring like a man in fire or lime . . .
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.
If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil’s sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud 
Of vile, incurable sores on innocent tongues,
My friend, you would not tell with such high zest  
To children ardent for some desperate glory,
The old Lie; Dulce et Decorum est
Pro patria mori.

Wilfred Owen